A Spring Celebration : An installation of paintings and ceramics by Louise Kaye
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Louise Kaye, African Violet I
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Louise Kaye, African Violet II
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Louise Kaye, African Violet III
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Louise Kaye, African Violet IV
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Louise Kaye, Hyacinth
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Louise Kaye, Spring Table
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Louise Kaye, House Plant
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Louise Kaye, Nature's Symmetry
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Louise Kaye, One fine day
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Louise Kaye, Water Lilies
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Louise Kaye, Succulent and yellow
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Louise Kaye, The garden beyond
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Louise Kaye, Blossom Goddess
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Louise Kaye, Blossom God
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Louise Kaye, Birds and blossom trophy
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Louise Kaye, Blossom crown
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Louise Kaye, Orange bees and pollen
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Louise Kaye, Green bees and pollen
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Louise Kaye, Bees and blossom dish
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Louise Kaye, Lone bee
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Louise Kaye, Golden meadow with upside down dogs trophy
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Louise Kaye, Blossom Pedestal I
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Louise Kaye, Blossom pedestal II
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Louise Kaye, Pink and gold trophy I
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Louise Kaye, Pink and gold trophy II
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Louise Kaye, Pink and gold trophy III
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Louise Kaye, Pink and gold trophy IV
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Louise Kaye, Butterfly shrine
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Louise Kaye, Daisy
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Louise Kaye, Flower Plate
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Louise Kaye, Green blossom bowl on plate
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Louise Kaye, Green blossom planter
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Louise Kaye, Pink and black blossom platter
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Louise Kaye, Pink and grey blossom platter
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Louise Kaye, Pink bee platter
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Louise Kaye, Pink blossom platter
First and foremost, I am a painter and a ceramicist. However, I like to challenge conventional approaches, and often expand to other mediums, creating bold and experimental artefacts in two and three dimensions. I approach paints, prints, and clay all in the same way - ceramics are fired, broken and collaged, just as paper and canvas are torn, glued, reassembled. Messy and difficult, gritty and irregular, my studio pieces probe the limits of beauty and redundancy. These crafts demand my courage and humility; paint and clay respond to mood, faithfully and unabashedly conveying emotion.
A Spring Celebration features a series of decorative and functional ceramics with my paintings. I crafted this installation with nature as my subject; it is a conscious and deliberate rejection of anthropocentrism. Flora and fauna inspire me greatly, and nature is never so beautiful as in springtime. In expressing the joy inherent in wild flowers, I wandered into the very depths of abstraction, interrogating both form and function. Buttercups, daisies and marigolds are boldly simplified, becoming cheeky, colourful, purposeful objects.
Always running alongside this jollity, however, lies the calamitous collapse of our natural environment. A reckoning looms beyond each piece, out of frame, yet ever-present. Viewers are repositioned from a state of conscious festivity into an uncertain vulnerability.
Despite this, nature continue to bloom. See the blossoms? Humble bees flitter around the florets, and fly off the stoneware..